

Amy Heckerling
Known for exceptional directing in global cinema.
Profession
Directing
Birthday
7 May 1954
Age
72 Years
Born In
The Bronx, New York, USA
Total Projects
19
Years Active
40 Yrs
Avg Rating
6.0 ★
Overview
Amy Heckerling (born May 7, 1954) is an American film director. An alumna of both New York University and the American Film Institute, she directed the commercially successful films Fast Times at Ridgemont High, National Lampoon's European Vacation, Look Who's Talking, and Clueless. Description above from the Wikipedia article Amy Heckerling, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For
Filmography

movie
SEGAL
SEGAL
as Self

tv
What Happened, Brittany Murphy?
What Happened, Brittany Murphy?
as Self

movie
Fast Times at Ridgemont High: A Virtual Table Read
Fast Times at Ridgemont High: A Virtual Table Read
as Self

movie
Skin: A History of Nudity in the Movies
Skin: A History of Nudity in the Movies
as Self

movie
Time Warp Vol. 3: Comedy and Camp
Time Warp Vol. 3: Comedy and Camp
as Self

movie
Time Warp Vol. 1: Midnight Madness
Time Warp Vol. 1: Midnight Madness
as Self

movie
The 4%: Film's Gender Problem
The 4%: Film's Gender Problem
as Self

movie
If These Knishes Could Talk: The Story of the NY Accent
If These Knishes Could Talk: The Story of the NY Accent
as Self

movie
Not Your Time
Not Your Time
as Herself

movie
The Dream Is Always the Same: The Story of Risky Business
The Dream Is Always the Same: The Story of Risky Business
as Self

movie
Celebrating Sixteen Candles
Celebrating Sixteen Candles
as Herself

movie
Sincerely Yours
Sincerely Yours
as Self

movie
Mardik: From Baghdad to Hollywood
Mardik: From Baghdad to Hollywood
as Self

movie
Reliving Our Fast Times at Ridgemont High
Reliving Our Fast Times at Ridgemont High

movie
Frank Capra's American Dream
Frank Capra's American Dream
as Self

tv
E! True Hollywood Story
E! True Hollywood Story

movie
Clueless
Clueless
as Maid of Honor (uncredited)

movie
Into the Night
Into the Night
as Ships Waitress

movie
Directors on Directing (Part 1)